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As Part of Independent Venue Week

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As Part of Independent Venue Week

This kit is made up of samples and sounds brilliant. All sounds in the kit have been processed to give the best sound possible. You can adjust the compression levels yourself for a more personal sound and choose from a Groove Library of thousands of rhythms to accompany you. Check out this awesome plugin kit.

Thanks for this collection, not many bloggers included the Beatfactory Drums.Keep writing.

James Leonard Hewitson Hailing from The North East, he creates Indie-Rock with influences of Post-Punk, Protopunk 
and Anti-Folk. His music has featured on TV. James will be performing with his band The Relevant People.

Monday Evening Film Club at The Forum Synopsis:

Please Note we will be closed on Monday 8th January for referbishment works

Our rates for providing a distribution service are currently the best in the market and our ever expanding catalogue gives us increasing muscle with which to negotiate deals from which everyone, artists, clients and distribution partners included will all benefit.

Join us for a fun day at The Forum Music Centre, view our recently refurbished rehearsal rooms and recording studio and get involved in what we do.

Tickets £5.00 All proceeds will go to the British Lung Foundation.

Age Restrictions: All Ages (Under 18's must be accompanied by a Parent )

*The name: ‘120 Years of Electronic Music’ project was begun in 1996; considering electronic music started around 1880 this was quite an accurate title for the time. Almost twenty years later it’s a bit out of date but it’s become something a bit of a brand-name and hard to change

’120 Years Of Electronic Music’ is an ongoing web project initiated in 1995 by the author and musician . The project is completely non-commercial and self funded. The aim is to make the information available on a free/open source basis i.e. you can use content in any way as long as the content owners are credited and it would be courteous if you could acknowledge the source by linking or referring to the site.

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  • Age Restrictions: Under 16's Must be accompanied by an adult

    Massive - Download

  • Tickets: £12.00 Doors: 7.30PM / Starts 8.30PM

    Massive, free and safe download

  • Tickets: £12.00 - available to

    Massive latest version: Professional Virtual Electronic Synthesiser for Music Lovers

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Age Restrictions: 16+ (Under 18's must be accompanied by and adult)

After the 1917 Bolshevik revolution in Russia an utopian avant-garde movement inspired by Futurism and Anarchistic ideas developed which included radical new music and performance. New, atonal, music was written, new types of theatre evolved and new instruments invented to bring about this utopian age; conducted a huge symphony of sirens involving warships, factory hooters and artillery and proposed the destruction of all pianos to free music of fixed tonation. It was proposed that a new scientific culture replace the old archaic cultural order– brought about by new electronic instruments and scientific investigations into audio and visual perception (this period is covered in some detail in Andrei Smirnov’s excellent book ‘’). The Bolshevik government, traditionalists at heart and worried at their lack of control of this anarchic movement, suppressed it replacing it with a manageable propaganda based culture of uplifting, popular socialist realism; many of the former avant-garde were murdered, imprisoned or sidelined for the rest of their lives.

Tickets: £12.00 Doors: 7.30PM / Starts 8.30PM

The focus of this project is in exploring the main themes of electronic instrument design and development previous to 1970 (and therefore isn’t intended as an exhaustive list of recent commercial synthesisers or software packages.) As well as creating a free, encyclopaedic, pedagogical resource on the History of Electronic Music (and an interesting list for Synthesiser Geeks) my main interest is to expose and explore musical, cultural and political narratives within the historical structure and to analyse the successes and failures of the electronic music ‘project’, for example;

Tickets: £12.00 - available to

120 Years of Electronic Music* is a project that outlines and analyses the history and development of electronic musical instruments from around 1880 onwards. This project defines ‘Electronic Musical Instrument’ as an instruments that generate sounds from a purely electronic source rather than electro-mechanically or electro-acoustically (However the boundaries of this definition do become blurred with, say, Tone Wheel Generators and tape manipulation of the Musique Concrète era).

Age Restrictions: 16+ (Under 18's must be accompanied by and adult)

A Chinese language version of ‘120 Years of Electronic Music’ (by Guangyu Dong at the Communication University of China School of Journalism (SSI),

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